There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
Now largely forgotten, Madame Charles Cahier was one of the most famous interpreters of Mahler’s vocal music. She, and the few recordings she made, deserve our attention.
Alexander Stefaniak explores how Clara Schumann’s Lieder – both in her performances and in her publications – supported her work as a celebrated concert pianist.
Five friends return to discuss interpreting and programming Schumann’s Lieder, and to suggest that they encourage us to listen to songs in new ways.
Troves of German Lieder composed by women await their first performances. Here is one composer whose songs have recently been recorded for the first time.
