Carrie Jacobs-Bond’s Black Gospel Standard
Black singers and churchgoers have a long and deep tie to Carrie Jacobs Bond’s “I’ve Done My Work” (1920). Why this song?
There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
Black singers and churchgoers have a long and deep tie to Carrie Jacobs Bond’s “I’ve Done My Work” (1920). Why this song?
A newly updated database of songs composed between 1890 and 1930 by women in English speaking countries has reached almost 24,800 entries by 5148 women.
During WWI, no song was more beloved of Allied troops, no song was more ingrained in the popular cultures of the U.S. and U.K.
Two members of the WSF Team explore the context and power of Liza Lehmann’s “Evensong.”
This month Stephen Rodgers is guest host for Thomas Hampson’s weekly program, Song and Beyond. Here are two conversations with members of the WSF team.
Although Emma Louise Ashford (1850-1930) is little known today, her music has been performed ever since it was published, in the U.S. and around the globe.
Carrie Jacobs Bond’s world-wide hit, “A Perfect Day” (1910), was one of the most purchased, most sung, and most parodied songs for decades.